Why does the media hate some people and elevate others? For example why did the media turn against Weinstein?
Q2888: “Who will be the next to fall post Weinstein?”
The Press protected him for decades and then like a light switch turn against him.
Note in the 2nd article there how they lump Trump in with Weinstein being protected, and this is the heart of an important issue to dissect.
The majority of people who read my posts are like myself and Pro Trump and we all know how hateful the press is towards him.
The answer seems obvious at first, they hate Trump because Trump represents a threat (and conversely Obama didn’t)
But how do we reconcile this with them turning against Weinstein? Shouldn’t they have just kept protecting him? One possible answer is they had no choice, as things would become public through court.
That’s a logical answer, but I don’t think that’s the real one. To get to the real answer let’s dissect a celebrity that went from the strongest possible press relationship to one of the worst.
Michael Jackson: Black or White
Find a parody of Michael Jackson made from 1993-2008, whether it’s Eminem, Robot Chicken, SNL, or MadTV, they will almost all focus on him being a pedophile monster.
The following one is from 1997, and involves Jackson trying to join the military, and at one point disappointed that the child he had been jumped on turned out to be an adult.
This kind of thing with repetition will turn a large portion of the people against the celebrity regardless of what the underlying truth might be.
Why did the MSM turn against Michael Jackson? Was it because like with Weinstein things went to court? Let’s consider another parody, one of the earliest ones that went against Jackson which was 1992, this was at the apex of Michael Jackson star power, just before the fall.
Talks about how strange it is for him to hang out with Macaulay Culkin all night.
Clinton’s first year is when the pedophile label began sticking to Jackson.
Before that he was synonymous with helping children.
Now, to get to the heart of what’s really going on here, let’s consider the turning point, that Black or White video as it was a big deal, anything that makes a list of most expensive must have been sending some important comms.
Note the song involved Macaulay Culkin, who fires his father into space as retaliation for yelling at him. What does that have to do with a song like Black or White? A song that seems to be about racial harmony… well, let’s look at the lyrics.
Note a few things here, one being a miracle “happened tonight” Sounds like positive comms? You know what happened the day of that miracle?
11/05/1991 Black or White
11/05/1991 Robert Maxwell Death
11/05/1991 Kiichi Miyazawa Abe Predecessor
The big one is be the day Robert Maxwell died. I also highlighted the PM of Japan changing as that’ll be relevent as we go. Comms are often timed to big events, and so while I’m confident the “Miracle” was the Maxwell change, the PM change will become clear how it’s connected. I’ve already decoded Maxwell. https://decodingsymbols.wordpress.com/2021/12/15/maxwell-monsters-silk-road-smollett/ as a crucial player, and just looking at the Q post.
Now why was Maxwell being removed a miracle? What does that have to do with Culkin? Well, before I answer that, let’s get into how Michael Jackson became famous in the first place.
Why did the media love him? Why did they start to hate him? Note in that In Living Color parody from 1992 it ends with Michael Jackson getting arrested and then making a joke that he must be black after all.
This is racial division propaganda, the kind that makes a race think everyone is out to get them. Relate that to the lyrics of the original song and we can see they are opposing messages. But more than that, note the line “I wrote a long song to a rat named Ben”
Willard/Ben
Ever hear of that film or song? That’d be this one.
Note the date June 23rd, 1972…. what happened that day?
Yep, that’d be the most famous “rat” to ever exist, the famous Nixon tapes that destroyed Nixon.
The “Smoking Gun” that brought down a president. Now you might be thinking, how on earth could they time something like this? For what purpose? Well, It’s not as hard as you might think when you understand how they were coordinating these things. But to understand that, we have to talk about how the film “Ben” was a sequel.
The original film was released the same exact month they installed the WH tape system!
Now I can explain precisely how this works. First of all, Nixon was not in control of Hollywood, the MSM is what destroyed him after all. This is why in “Willard” the one who trained the rats is destroyed by them.
Nixon is the one who ordered the creation of the recording system, but he was not the one responsible for sending this comm. This comm was due to this system which I go over in the intro..
Meaning that when Nixon began preparing for the recording system someone on his staff was a plant (Remember Deep Throat?) and they leaked the info that he was going to install a recording system in the WH.
Now, how do they communicate to all the many plants that need to know that HEY! NIXON IS RECORDING PEOPLE, BE CAREFUL! to everyone that goes to the WH to warn them they’ll be on tape? You need to tell the people what? You need to tell them about the dangerous rats, therefore Willard is how! A comm that is an emergency signal telling them in a coded form that Nixon had started recording people! Because remember, they can’t say this stuff directly lest it breaks national security laws, it all has to be coded and hidden in plain sight.
You may recall in my decode of Roman Polanski, how when he was arrested they sent comms through the scientific community. https://decodingsymbols.wordpress.com/2021/12/22/roman-polanski-science-and-christmas-comms/ Those kinds of comms were more instant, they had no prep time so they sent a comm through things “newly discovered” whereas comms like this are with a big wind-up as they have long periods of time to prepare for them. That’s one of the factors that distinguishes which type they use.
Anyway, Willard was the warning, and Ben was the killing blow. They managed to time it precisely to the day of the “smoking gun”
You’d think Nixon would have been paying attention to these comms and realized the danger, but it’s clear some of these media comms aren’t understood until long after they hit. The narrative they had planned out to destroy Nixon was carefully thought out, knowing what Nixon would do with an awareness they could weaponize it with MSM control. Getting control of the “Rat”
And thus Michael Jackson’s role in this was as a “Mike” Microphone comm with a song, that lyric btw looks familiar, I may have to decode Toy Story soon. Woody did have a voice recording inside, but let’s not get too sidetracked here.
This whole bit about using music to coordinate ops like this is nothing new as I’ve decoded many others, including more with Nixon.
- 03/02/1974 Grand jury concludes POTUS Richard Nixon is involved in Watergate cover up
- 03/04/1974 Waterloo ABBA album
Comms urging Nixon to “Surrender” like Napoleon did. Forcing him to give up and embrace them once they had control of the narrative and the courts.
Anyway, this sets the sides up fairly well, Nixon was another person the media turned against with a fiery passion. Which is the point of what I’m getting at.
Let’s return to Jackson, note the song involves the ‘Roal Arms Hotel” being destroyed, and then he destroys a car.
Specifically he rips the steering wheel off and throws it into a condemned building. Now consider the lyrics.
“I am tired of this devil” 6 words, and at the end?
A rejection of focusing on color. As in what is being forced on the black community, obsessing about racial division, but it’s also about a turf war on a global scale. Jackson turns from a Black Panther into a human to destroy the car, and I think this unlocks Black Panther as a comm for racially weaponized people.
This was late 1991 and I believe the removal of Maxwell in particular was a sign of a major push to fix the problems of the world, one of which is the racial division propaganda.
Only problem is Clinton became POTUS in 1993, and so the tides had shifted away to the other side. Which explains why the media turned against him in the middle of 1993, which is likely why Jackson married that year months after the child molestation accusation.
And after paying off the accuser he largely stepped out of the center of pop culture he once dominated. The battle, at least at that point had been lost, but they clearly tried, and that’s most evident when we dig into the rest of that 1991 video, so let’s consider the Culkin part.
What does this have to do with racial harmony?
Culkin
Why Culkin? Because he was the biggest child actor at the time?
Note in the music video the car destruction comms. What does that have to do with racial division?
Throwing a steering wheel into condemned. Comms anti- “Driving” a concept core to what kind of brainwash?
And so this was against the MK system, which means Culkin was symbolic of what? Well, middle name is easy enough….
But what about Culkin?
Let’s break up that last name. Cul + Kin.
Kin
and Cull
Comms of killing children, which is probably why….
A warning not to arrest who? Or else what would happen?
- 12/10/2008 Cody Culkin Hit by car
- 12/11/2008 Bernie Madoff Arrested
This was the very last month of the Bush admin, with the other side asserting that if you go through with this arrest… “Culkin” Invoking it like a spell, and threat.
Which is why it’s meaningful that Culkin has recently named his first child after his deceased sister.
As this suggests he might be sending comms that he wants to be part of disclosure.
And another one.
- 12/19/1998 US House of Representatives votes to impeach President Bill Clinton forwarding the articles of impeachment to the Senate for a trial
- 12/23/1998 Holiday Blaze 4 People killed at Culkin High-Rise (Note Culkin was literally sued for this recently)
Which might have been a warning not to remove Clinton as was possible through the Senate Trial after House impeachment.
So now we can understand why Culkin fit perfectly in that music video, as it wasn’t just about race, but about brainwash, “driving”
Let’s shift to a related topic, how do we reconcile another piece of news?
What does it mean for Culkin to want Trump removed from Home Alone 2? At a glance it would seem like an insult, but I don’t think it is, but to understand why we have to decode the Home Alone series.
Home Alone 1
Film begins with Joe Pesci in the home dressed as a cop scouting out to rob, and Culkin is gets into an argument with his mother about Uncle Frank’s treatment.
Note Uncle Frank was originally written for Kelsey Grammer…
Kelsey Grammer is symbolic of what profession? Psychiatrist. Also note Uncle Buck being the origin of Home Alone.
Likely MK comms intended with that relationship of a psychiatrist tormenting Culkin throughout that series.
I’ll return to Home Alone, but if you noticed above the true origin of Home Alone is Uncle Buck, and so we need to briefly cover that film first.
Uncle Buck
So the primary plot of the film begins as a woman’s father nearly dies of a heart attack. This leads to her being forced to rely on the gambling horse racer “Uncle Buck” to look after her kids so she can go to Indianapolis.
Recall above the threats being sent involving murder, I believe that’s the same concept here. It’s symbolic of someone in danger and so making a hard decision to protect the loved ones, and “loved ones” is a crucial phrase in this case because being involved in MK ops is one way I believe protection is afforded to comms aware people who are otherwise unaffiliated (or affiliated with the other side like Jackson had been)
And note Uncle buck’s comments as they talk about bringing him in, putting the BBQ close so that the nearby “bushes” catch fire.
What does it mean to call Uncle Buck?
I believe the crux of these comms was an advertisement/threat to people in the comms world to get involved in MK’ing lest they themselves become a target, and they can make money with it too. “Uncle Buck” Buck = money.
Note the line “They weren’t making enough cash, so thank them for getting treated like shit every day” As in the reason why they are being MK’d, specifically by the older sister is because of money problems.
When Uncle Buck gets called due to this he talks about having lots of money multiple times. But that it’s all out of state, as in foreign and second hand. As in the overseas funding of these ops.
Note how he puts the jacket on her, protection comms.
So there’s a few levels to this, “Uncle Buck” being getting money, and also protection from being a potential target and 187’s by being part of the MK ops.
Uncle Buck then plays a horror theme on the piano, Murderer theme, picks up a family dish he drops, remarks on how durable it is and then breaks it on the piano that he played the Jason theme to.
It’s the older sister that MK’s the kids throughout the start of the film, and so these are comms about cooperating to achieve that goal. To break the family dish, and what is that dish? That’d likely be Culkin.
She is cruel, but note the distinction between the two in the story. That the older sister “can’t drive”
But of course Uncle Buck can, and the car is a major plot point of the film with how horrible it is. So it’s a story about an MK household and getting better at MK’ing, along with other messages.
“Ever hear of a ritual killing” Candy says in relation to his driving.
The way the MK manifests in the film is in terms of a family that had just transitioned into MKing the two younger children with the oldest child working with her parents to that end. She abuses the two younger kids , but it’s not producing results until “Uncle Buck” comes in. The fact that its not producing results is symbolized in Hockey being over.
Recall the murder theme Uncle Buck played on the piano when he arrived, as in that’s what he will begin.
So what Uncle Buck does is become their friend and in effect giving them bad habits. There are many types of abuse and having them emulate a bad role model is potentially far more effective than simple basic emotional abuse. Getting them to embrace a bad direction.
Picking up cursing for example, note the teacher’s reaction which is done with a comedic flair, but if translated into real life it would be a bad time for a child.
However to truly MK a child it has to not just be at home but everywhere they go. In school you need a “mole” which is why there’s an entire scene in the film where Uncle Buck “complains” about a teacher with a prominent mole that think the kids are bad.
And I use quotation marks because when you read between the lines the entire joke about the mole is coded talk that he wants it to continue but has to pretend to be opposed to it. That’s why he introduces himself as a “mole” before focusing on her mole, and at the end gives her money while winking while telling her explicitly that kids only become bad when people like this “mole” convince them that they are bad. They are both moles
With that abuse in school and at home the MK scenario is complete, there’s a lot of little lessons I could mention as this entire movie seems to be a guide of sorts.
For example this bit with the clown in the mouse car that Uncle Buck sends away, the point being to not bring people in who are risks of talking. These are “rat comms, but also it’s compounded by his name. “Pooter”
As poot is a flatulence comm, which is a common comm for someone who talks about cult stuff openly. I go over it in many posts as it’s very consistent. The reasoning behind it in symbolism is that it’s bad smelling air, a “voice” you don’t want to hear. It’s also how they shame cult kids into silence as any thing they say taboo is replaced with discussion of them farting, as they quickly learn the consequence for saying things they aren’t allowed to.
A variant of that kind of comm is urination, which doesn’t have the same negative connotation and simply implies giving someone personal information. Which is why the scene right before the mole involved Uncle Buck peeing inside the school.
The rationale being Water = info, and it’s from inside a person. Unless this is your first post I’m sure you already know the element comms, check my into page if that doesn’t make sense. It also has to work as a movie, so they find ways to make it work as comedy. You may notice he puts out his cigar there as well, and that’s a running part of the film, but a lot of these common comms I go over so often I don’t want to get stuck on them. Another one I didn’t mention is Uncle Buck’s story begins with him eating a “Pi” which is a comm about a coded job.
Or Vacuuming up while watching the news of political stories. Vacuuming as a comm typically symbolizes “Cleaning up” which works for evidence, but in this context of political stories? I believe is explaining the “point” as MK ops are commonly used to change the subject and remove whatever news they find inconvenient.
The core story of the film involves the oldest daughter being unhappy about the change her family is going through and coming to terms with it. She participates in MK’ing begrudgingly. This is why in the first scenes of the film before Uncle Buck she complains about having to be there with them, and then they let the dog out of the “spin dryer”
Dogs symbolize a person that is comms aware and cooperating in ops, and so the dog symbolizes her. And she is about to be let out of the “spin dryer” A comm of her not interpreting the situation correctly and about to get out of being spun. (Just think about MSM spinning and how people get driven that way)
And so the film revolved around trying to destroy her boyfriend named “Bug” there are multiple definitions for “Bug” which included a concealed microphone but also someone that “bugs” Depending on context it seems like both are used here. The underlying point being he wasn’t comms aware and was a risk to be involved with, which is why Uncle Buck spends much of the film trying to separate the two.
The bug symbolizes both the surveillance and the target. The point is often to catch them being a predator. It’s worth noting the girl in Uncle Buck is 15.
Drilling as a comm is one about drilling into the brain, until complete control with “Driving” happens.
The thing that made this film unique is that throughout the movie the older Daughter goes from a begrudging participant in MK ops, to embracing it.
After they caught “Bug” raping a girl they hit him with golf balls. Golf being a comm of something to hit in the future. The end of a film generally wraps up the “story” and in this case it ends with Uncle Buck and the oldest daughter waving with the rings. A story about embracing being controlled and involved in ops. Just before they wave with the rings it’s worth noting that she goes from rejecting Uncle Buck’s advice to literally saying the exact things he tells her to say at the exact moment he tells her to say them.
There’s plenty more I could go through, but I’ve noticed that many of the most important comms in this film are best talked about in context of Home Alone scenes as they have overlap, so let’s switch to Home Alone, and I’ll return to this film throughout it.
Home Alone 1 Continued
Anyway, so the beginning of Home Alone has the Culkin parent’s talking about a “voltage adapter” and tripping over tiny “cars” and nearly breaking a neck. This would be in terms of young driven people weaponized. Which if you’ve ever seen Home Alone, that’s the entire premise, a dangerous kid making deadly traps that because of cartoon logic only hurt instead of kill.
Note the bit about Culkin being a “Voltage Adapter” as in allowing a family to plug-into a foreign outlet. Just like with Uncle Buck the implication is selling a kid to get money/success and it’ll become more clear as we go.
Note how all the kids bully Culkin.
Calling him stupid over and over again, and incompetent. This climaxes when the biggest bully of the family antagonizes Culkin into attacking him, and then he explodes, causing everyone to scorn him.
Making him feel worse and worse, calling him a disease and well, this is how MK works, it’s a way to brainwash a victim subtly without breaking any law.
Note Culkin is convinced his family treats him like scum and hates him. Obviously as this film has to work as a movie they don’t make the family overly evil, it’s all subtle enough that it gets the message across without making the casual audience catch on.
Note in this scene they mention microwaving the tickets/passports. This is symbolic of what they are doing to Culkin as he is the “Ticket” and “passport” to get them to fly. In fact in Uncle Buck a big part of that film involves him microwaving the kids clothes which is juxtaposed with the kids picking up back habits from him that cause them to become outcasts.
Anyway…. the family abandons Culkin and the first thing that happens when Culkin wakes up is hearing a show about how Santa is turning to booze because it’s too “Cold”
As in people turn to substance abuse when they have nobody, just like Culkin. Tho he is a child, he is symbolizing someone being driven to a psychological breakdown. It’s worth mentioning the score to this film was done by John Williams, the guy behind most Spielberg and George Lucas films. I say that just to reinforce that this was a picture intended for success.
Anyway, note the parents are flying first class. Another benefit of selling a kid. Then we get the spider, and a heater tormenting Culkin psychologically.
“The cars are still here” a joke about being driven.
He hears tormenting voices including his brother saying that he would be fed to the “spider” and then realizing he is free to act how he wants.
First thing he does is get fireworks and porn. Destructive and bad habits fostering.
Note the Toyota underneath it, and the Playboy side with car ad. This Japanese connection is one I’ve gone over in the past, as the recording software is from Japan often they are shorthand for who is “behind it” even though really it’s got nothing to do with any specific country and everything to do with families like the Maxwell’s.
They never imagined how the internet ruined their ability to hide, the ability to gather and reconcile data allows someone like me to put it all together, whereas 20 years ago, can you imagine anyone doing what I do with these connections? Literally impossible without a cheat sheet!
it can be untangled and despite them asserting thru the comms that it’s any particular country, that’s just because they make sure to hide the real culprits even in the comms. I’ve never seen a comm that pointed out Rothschilds, but I’ve seen a ton that incorrectly implied a state or figure was behind an evil that I already had traced the deeper links to.
Anyway… next Culkin takes a gun and shoots toy athletes.
So next after shooting people we have Culkin eating Ice Cream as the TV talks about getting money.
Now we get to the “bad guys” of the film, at least if you are watching it without comms awareness. Their goal is to rob the “Silver Tuna” house that Culkin lives in. Note the number comm given, they start at watching house 664, then 2 more houses, and that makes 666. Robbing the symbolic 666 house.
It’s worth noticing the gold tooth Joe Pesci has. That gold tooth is something Culkin knocks out of his head later in the film and it’s an important plot point throughout. The key point tho is after Culkin takes out the “wet Bandits” the father obtains the “Gold tooth”
That last image is from the end of the film, where the family is for the first time happy for Culkin as he bought eggs. Eggs being a comm of a beginning, and the gold tooth again being the wealth obtained.
So right after the Wet Bandits talk about robbing the silver tuna we see Culkin break shelves as he climbs, including ones with those same sports figure he shot earlier.
And again he gets money for this, which leads to the “spyder” being set free. Which is to say when the ops are done those watching in the family are then rewarded and not bound by anything to continue such ops. It’s an incentive to break the target ASAP.
So back at the house the Wet Bandit are robbing we get Joe Pesci looking through a kaleidoscope as they learn they can rob the “Silver Tuna”
This seems to be comms of victims being brought to the targets range of vision. As in setting up conflicts. It’s not asserting they are comms aware, but instead being given instructions to get in the line of fire of a target. This represents how when targets are MK’d they get the appropriate target as the other side of it. In practice it means that both sides are “driven” with a brainwashed killer driven to act, and a victim driven to be in the exact spot necessary to make sure they are in the way of it.
And then we get Culkin buying a toothbrush, comms of cleaning “teeth” as in the whole point of using a shell like this, because it keeps you clean without fear of arrest.
That’s why this scene involves him shoplifting and escaping arrest.
And who is the appropriate target? They are the “wet bandits” who always leave the water running on targets. Think about what that means with comms awareness. Water = info comms, and their whole thing is leaving the info running on targets and what house are they about to do that to? The 666 house, leaving the info running on the devil house. So they fit as villains.
It’s also possible these are people symbolize “rats” people who tell the cops things that gets them on a hit list, in fact that’s an important plot point later as they explicitly assert they would rat someone out to the cops if possible.
Note they nearly run over Culkin, again, being driven to the target, and then immediately being presented as a threat to him.
This next comm is clever, it involves Culkin puppeteering Michael Jordan to the Wet Bandits. Why is that clever?
Because As I go into in a few posts https://decodingsymbols.wordpress.com/2021/09/20/big-cia-vs-small-doj-rabbits-to-ducks/ celebrities are used to send updates about ops, meaning depending on how the MK’ing is coming along if the target is ready to kill, then the MK’d target will then in effect be “Puppetting” the sports star.
Their actions literally dictate what the celebrity does, and I think that’s a clever way to represent it. Tho very disturbing. However it’s important to note that Culkin is a child here, and so the comms aren’t just going to be about turning him into a killer, cause there’s another way kids are used for those kinds of ops. Tho it’s all connected.
He gets a “Cheese Pizza” initials CP https://www.dailymail.co.uk/news/article-8681535/Paedophiles-using-cheese-pizza-emojis-communicate-secretly-Instagram.html
and this will be very relevant in his next scene.
As the next scene has him being undressed and screaming with a spyder behind the toilet. This is a comm about driving someone with illegal pornography blackmail. It’s literally how they were able to kill JFK as I go over in this posthttps://decodingsymbols.wordpress.com/2021/12/07/spielberg/
The short version is they psychologically conditioned a target and then got him together with a child using that as the leverage to force him to follow through with what they had already conditioned him to want.
This also explains the root symbolism of that famous hands pose of Culkin, as it symbolizes being caught looking at a child naked.
The scene in-between the two Culkin scenes involves the Parents negotiating for a “Ticket” and this I juxtapose with the Culkin Black or White video because of the parallels which are educational for the underlying comms.
Note the mother of Culkin in Black Or White with the ads on the back for Earrings, Rings & More, along with videotapes, and being abducted. This is a comm regarding what is gained in selling the child to “Aliens” as in a foreign probing experimenting agents. This is why the mother in Home Alone, the scene begins with Fort “worth” as in the value of what’s going on right here, and trying to sell, the asset.
After talking about going to her 8 year old son she says she would sell her soul to the devil, and that’s when John Candy appears to go with her, which I should remind you was Uncle Buck, Culkin’s big break.
The point here is connected to the Uncle Buck comms, in that film he symbolized making a deal with the devil, and the same thing is true here. He talks about leaving a child all day with corpses.
If you’ve never seen Home Alone, most of the traps Culkin lays for them would actually kill a person. So while what we see in the film is looney toon style comedy, it would translate to murders. And kids are conditioned to that end. Having John Candy as”the devil” appear right after the scene with comms about Culkin nude is also not a coincidence.
It’s far more obvious with the Uncle Buck comms, a number of scenes are devoted to him sleeping with the kids.
And it’s of course framed innocently, but when we look a level down with comms it becomes much more clear what’s going on.
Note the talk about being so clean to avoid worry about police crime labs in “Brushing the teeth” and it gets really blunt afterwards, with what happens directly after he sleeps with the kids.
Which is him acting out having sex as he tries to clean his clothes to a shocked neighbors reaction.
Then when John Candy explains about the Heart Attack the neighbor instantly changes tone and begins trying to seduce John Candy herself. Because that’s why all of this is happening after all, fear of becoming a target of 187.
It’s also worth noting that in those sleeping sections the song played was “Mr. Sandman”
Sandman
Which is a song by the Chordettes, another song they did was called “Lollipop”
I’ve decoded Lollipop as comm about young girls, and the lyrics certainly match, and note Mr. Sandman. I’ve decoded how they rape kids in sleep is with drugs, and it seems Mr. Sandman is a comm about that, And in Home Alone, the “Devil” only becomes interested after hearing she wants to get to her 8-year old boy. Note the location he talks about.
Same as origin of Chordettes, and I suspect it’s a comm, in fact if we go to the timeline of when the song was released….
- 05/1954 Mr Sandman first recorded Chordettes Monroe Chordettes version released later original 1954 Ronald Gumm (or Gumps
- 05/29/1954 Pope XII issues holy declaration about the value of virginity vatican/content/pius-xii/en/encyclicals/documents/hf_p-xii_enc_25031954_sacra-virginitas
- 05/13/1954 Pajama Game opens at St James Theater NYC for 1063 performances https://en.wikipedia.org/wiki/The_Pajama_Game
The Pope just so happening to declare the value of virginity,
Perpetual virginity, as in not being aware of what has happened. As well as the “Pajama game” opening, so the value of the kid, the parent being forced to go along this line, helps explain her reaction to saying the words of how secure she feels with him there despite not showing it.
Anyway, let’s get back to home Alone. So the next section has Culkin with Santa and gets tic tac’s.
Tic Tacs as a comm symbolize an improved ability to receive https://decodingsymbols.wordpress.com/2021/07/22/clown-pi/ better breath = better reception. Often used in a sexual context to make someone less repellent to a date offer.
So why would Culkin need tic tacs? Well, the very next scene involves Culkin approaching a man explicitly asserted to be a serial killer earlier in the film.
Culkin befriends him here. This is symbolic of like with Oswald, finding someone with the potential to be a killer and then blackmailing them into action. This is the man who will end up knocking out the Wet Bandits for the final part of the film.
Here’s a bit more from that scene I skipped going over him as a murderer, it’s worth noting in the scene where he befriends Culkin, he talks about being mortified of what his family thinks of him. As in someone that can be controlled if information is held on them with threat of giving it to family.
So, with the murderer befriended we get to the part of the film everyone remembers, the part where he rigs it up to kill.
Note using micromachines, again small people driven as a defense line, a spyder, as in people watching…
And so then the Wet Bandits arrive, the very first thing we get is him nuking Mac and Cheese, leading to them arriving and announcing themselves aware that the little boy is alone.
Then Culkin shoots them in the crotch and head.
Attacking them in the crotch.
Remember they called this house the “Silver Tuna” Tuna is a fish associated with sex. https://decodingsymbols.wordpress.com/2021/02/15/maxwell-dominoes-rc-addicted-terramar/
Note the clothes hanger comms, taking off clothes, as well as the fishing net with giant Boeing 747s caught in it. As in FISHING is symbolism for catching powerful people. Blackmail ops.
Recall that the first conversation Culkin had in this film involved using new fishhooks
New bait being used rather than old, as in these are new ops promoted.
And so the Wet Bandits after getting shot in the crotch grab the door, and get BRANDED with a giant M=13
They then fall on “micromachines” and that’s when the gold tooth is removed which Culkin’s father ends up with. All together it’s implying removing a threat through these ops in multiple ways and then being paid for it.
And so after being BRANDED and tripping and losing their money, they then get the cops called on them for it, which leads to the SPYDER returning on the face.
And just when they get their hands on the kid, the murderer hits them with a shovel.
And then the arrest.
Ok, let’s get into the sequel.
Home Alone 2
Film opens this time with a talk about nude beaches in Florida and string bikini’s.
Then we get Culkin recording everything as an inflatable clown is given to him as a present. In the prior film the perversion comms were not as prominent as the MK ones, but it’s flipped in this one, probably because it was released the same month Clinton was elected, and as I go over in a number of posts, that’s when Epstein set up shop in the U.S.A. through the Zorro Ranch in New Mexico. (Which is really the return of the Maxwell ops)
So Culkin hears the promotion of a hotel as his mother talks about decorating a “palm tree”
Q connected palm trees to puppetry comms. How do they attach strings to puppets?
With a hotel + Recording + Child?
Which is why the very next scene involves Culkin talking about seeing a man naked in the shower, while the parents discuss getting a battery to record.
And culkin records the man naked, just the audio of course because this is a comm rather than explicit, tho this is pretty darn explicit even with just that.
And while most of this film leans heavily on the perversion comms, there are still MK comms, in particular the next scene which involves Culkin being bullied again by family as everyone laughs at him.
Playing him like a drum, which leads to Culkin exploding and punching him as everyone else falls over like dominos.
They draw the parallels that it is happening exactly like last time, with the family crapping on him just before a trip. So yea, same comms.
So let’s skip ahead and get to the important bits, Finally getting to Donald Trump’s cameo, where he directs Culkin on where to go.
Note afterwards he records and talks about a fridge with a key, a bed, and a TV.
So, now that we are finally here, what does it mean for Trump to be in this comm?
10/16/2016 Trump took Polaroids, interviewed models in 1994 Playboy video https://www.cnn.com/2016/10/05/politics/trump-playboy/index.html
Just like Michael Jackson he got married right after Clinton was elected, specifically because of a shooting nearby.
The top half is about Trump, the cause and effect of marriage with the bottom being MJ. Same concept of likely forced to marry for protection, which is to say the clowns had effectively won by installing Clinton, and so everyone switched to clown mode to avoid being decapitated.
Trump who owned hotels was of course tasked to do things they do with Hotels, I don’t think there’s anything wrong with doing that when there’s a gun to your head. These threats are real, and the history is complex https://decodingsymbols.wordpress.com/2021/02/07/the-secret-history-connecting-trump-flynn-u1-and-9-11/ there is a reason why HRC promoted Trump to be the republican candidate early on.
To return to that Maxwell point, recall him dying was coordinated with comms. Note the Japan coordination the same day, as that’s a key point of how the ops went through.
Note how Bush would then likely get poisoned in Japan creating a scandal that the media hammered him with throughout the entire election season. All while Perot sucked up all the headlines and republican enthusiasm, all to get Clinton in.
Also required pulling a George Floyd in the form of Rodney King (1992)
Even a Greta Thunberg (Look up the 1992 UN summit and Severn)
You can see just how big after losing Maxwell they hit back, all of these guns were fired at Trump just as they were back then to install Clinton. Only back then it was all more effective and the people who had sided with patriots were forced to switch lest they become the next to lose their head.
If someone tries to do the right thing, they will be the only one the public will see as guilty of sin hence Michael Jackson being smeared as a pedophile while the real criminals were ignored. The father of the kid that accused Michael Jackson literally had his first (and only) big Hollywood film deal that year. Payment rendered. (Covered in image above)
And that’s why despite what you may have thought at a glance, this is not an anti-Trump comm!
Do you get what this means now? That when things get exposed Trump’s role will not be part of it, only people like you and I who learn the comms will perceive it, and when the public can handle symbolism comms, they’ll see it too.
Anyway, to continue, we have this sequence here involving a Japanese patron, then talk about Herbert Hoover and a vacuum.
The vacuum being a comm of cleaning up evidence, the Japanese connection again being who handles the recording, and what are they cleaning up?
Next scene has Culkin practicing his “cannon ball” which the adults agree to watch, and it leads to him getting naked in the pool. The “Bullet” Which leads to many recorded videos. And fishing again just like the prior film.
And also massacres, because that’s still a part of the story even though it seems to be far in the background.
I don’t have anything to add here I haven’t already said.
The next scene involves more puppetry comms, with the child Culkin controlling an inflatable clown with a recording.
All while he’s being spied upon. I don’t think I need to explain that, and the following scene just reinforces it, dolphin on top of dolphin, adult videos.
411 = information, and a child’s underwear being cleaned at the hotel, followed by a long conversation about being careful about who gets to see the child’s underwear.
Culkin then uses the fact that he was spied on in the shower as ammunition, and he gets a limo and a pizza.
So the Wet Bandits return, and note they reach out to grab him as he magnifies “Manhattan” a nuclear comm and then screaming.
Not much to add about that, except that he gets away from them by pinching a lady’s butt and blaming it on them. Note the recording of crimes confessed (You can see it sticking out of his pocket)
Eventually as they are committing crimes Culkin takes pictures of them which they become desperate to retrieve.
I think that’s self explanatory as it’s connected to all the other perverse comms, recording comms constantly with his audio device, and now a literal camera.
Anyway, Culkin throws bricks at them and then electrocutes them.
Same basic thing as before, all stuff that’d kill people, and it’s the same comms about using MK assets to set traps and 187. Most of the movie is perversion comms, but this part is more a copy and paste of what audiences enjoyed in the first one.
I don’t think there’s any point in going over them any more in depth, instead let’s switch to the 3rd film because even though it didn’t do well as a movie, it was made by the same people behind the scenes and had a bigger budget!
Which means the comms in this film were important, they just couldn’t get people to watch it. Usually success = importance, but sometimes the clowns make a movie that’s so terrible that no amount of promotion or casting can save it. Even so, it did make more than double it’s budget, but compared to the last two it was chump change, and as such it was the last film that hit the theaters in the franchise.
So, the last Home Alone film was about perversion with light MK elements, and the first one was about MK with light perversion elements, what about this one?
Home Alone 3
Unlike the last two films we don’t open on kids, we instead open on Hong Kong, where criminals are talking about retrieving a chip that can cloak a nuclear missile on behalf of North Korean Terrorists.
Note the way the shot is framed so that the arrow to the stealth control of the missile is the ring. A comm about control/stRINGS.
So they take this stealth missile chip and hide it in a “Mutator” Toy car to slip it past security.
Just like the micromachines in prior film, the point is using a child to slip past security. Security in this case being awareness. Undetectable cause it’s a kid. Kids are not on anyone’s watch list when they are born and have protections against being looked at as a criminal would. That I believe is what it means to “slip past security”
And while this is not the explicit meaning here, I should add that it being a child also allows them to do horrible things to one another as in brainwashing each other without fear of legal consequence. Parent conditions kid, kid does the evil and cause it’s a kid they can get away with it. And because the target is a kid they remain invisible. The invisible part is what is being communicated, that these MK ops are important because they are invisible and are akin to stealth missiles to be launched. The car’s name is also meaningful. Mutator = changing.
So they end up “losing” the stealth chip they hid inside the RC car as it gets switched for the neighbor of Alex’s bag. This would be the new Culkin.
The neighbor with the chip is cruel to Alex and in a film with these kinds of comms, what does that mean?
So just like the early bits of the Home Alone films, this represents the conditioning, “your word is worthless”
For payment she gives the child the car with the stealth chip in it, specifically saying it “won’t make a very tasty sandwich” Sandwich as I’ve gone over in posts is a comm about a job being given, in some cases I’ve gone thruogh it, including this one it’s not a job the taker is aware of getting.
Meaning it represents giving someone a task with one explicity intent understood by the taker, but a secret one by the giver. S&Witch.
This ties back to Uncle Buck as well, due to Uncle Buck’s Pickle lunch the other kids run away from him.. Notice the other kid has a sandwich. Just like the Mole comm I covered before, this is implying a kid in close proximity to the target a job of making kids run away from them.
Anyway, after Alex gets the remote control car Alex goes home and first we see Lego = building comms. And then a goldfish named “speedy” = as in getting money/gold quickly.
The parents are cooking and hyping someone up about a product as we see their son is sick. This bit about hyping up the product is the same as the comms with Culkin in the airport, the bits about trying to sell the result of conditioning.
There’s a lot of comms in this next image. equations on shoe, Brother’s “Bug” “scientific research only.” on top of target shot,
Hitting the bug with the basketball, “Bull’s eye” and then making “3 from downtown” relate to the target shot underneath and the Jason killer mask. What does this mean? Actually it’s likely explaining the plot of the film.
Recall the whole reason why the “Wet Bandits” became the target in Home Alone, it’s because of the danger they posed to exposing criminals by leaving the water running. The villains this time are trying to steal something that symbolizes the MK ops, which translates to what in literal terms?
Let’s define the “Bug” Remember Uncle Buck as the villain was literally named “Bug”
And with Alex’s case right after the “bug” scene we get the following. With Alex stripping to look at his butt.
Then his sister screams that the brother slammed his genitals in the toilet seat again. MK’ing a kid and filming someone being driven insane likely produces a number of disturbing scenes. According to GOOG 2000 Men get their penis caught in the pants zipper a year, they aren’t all conditioned, but because conditioning is happening situations like that with embarrassing potential is considerably higher chance and it’s all on film.
Anyway…. they continue on with that “joke” and talk about how he must look naked now that he’s sick.
The next scene is a familiar MK comm I’ve gone over before. A tactic that must be quite effective given this is at least the 2nd time I’ve seen it being demonstrated.
Boy signals mother as he shoots his gun at the butt of a girl bending over on TV. The mother walks in on this.
This is a walking in on masturbation’s comm, as in the mother is aware of what the kid is doing through surveillance and as soon as he does something embarrassing she “coincidentally” walks in. The bell represents the boy signaling her that it’s time with his actions.
This is of course more conditioning, traumatic event after traumatic embarrassing event. It all adds up to breaking a child into a suggestive state.
So after the bug has been splatted, the kid attaches a remote control to a gun and then changes his neighbors channel to people undressing.
This would be symbolic of the neighbor that as you recall was the one that held his controls, being made aware of what he did. The terror of being caught in an embarrassing situation amplified by judgmental figures nearby learning it. Of course in the movie the kid is shown as having a great time during this as a prank, but that’s because these things have to work as a movie as well as comms. Recall that in Home Alone right after reading playboy he picked up the rifle and began shooting people.
Same concept here, only the comms are more subtle by replacing a boy reading Playboy with a boy shooting a sticky dart into a girls butt on TV as his mom walks in. When I write it out like that it doesn’t sound that subtle does it? Might want to look up at that collage above again, it’s pretty clear.
Note the bubble blower, comms of bursting bubbles, another Home Alone parody I already decoded Gnome Alone https://decodingsymbols.wordpress.com/2021/10/24/net-trolls-garden-gnomes/ had these same type of comms, and the implication was a similar conditioning. In this case it’s setting up the next brainwashing op.
Which as you notice the kid called the cops to report what he believes is a burglary. Trying to do a good deed, but it blows up in his face.
However the key point about this is how it allows the siblings, parent, and neighbors to shame him. It starts off small.
And quickly escalates
More and more humiliation, hopelessness, being told he is staining the family name, laughing, driving him into a corner making him more paranoid because there really is something out there malevolent, but because of the way these ops are done he can’t put his finger on what the real problem is.
It doesn’t occur to most that key people all around them are coordinating against a person to drive them insane.
And this all leads to the RC car becoming active, symbolic of him being controlled, and what’s the first thing it does? Scare a cat.
Which is another common thing, as MK victims begin by attacking small animals before moving on to humans.
Doris btw is his lab rat, experiment comms, the only friend he has during the film. I wasn’t originally going to decode Doris, but as I went over my notes I realized the answer to why the other rat who is his only friend is named “Doris” actually did have an answer to it….
So the villains of the film, this versions “wet Bandits” try and get the surveillance video as a song plays
This song. With some pretty clear lyrics. Gorilla/Guerlla, driving, and a lot more.
Note the mention of “Doris” as the girl of the baddest man of the town. So that’d be a comm of a handler. If I watched the film again focusing on the rat named Doris I’m sure a lot more would become evident, but let’s finish this post up.
So this films version of the “Wet Bandits” got Alex’s surviellance tape, and the following scene involves Alex talking to the cops. This is partly symbolic of why these MK ops are bulletproof. As in even if someone gets the surveillance it doesn’t matter as all the conditioning is done in such a way that it’s legal.
Hence all the bits about having to use a magnifying glass to see anything. The Military won’t help. No way to detect what’s going on.
This gets to the core difference in the comms in this film relative to the other Home Alone films, the convoluted plot about a cloaking missile works to symbolize MK but the plotline about stealing the “cloaking chip” would imply what? I believe the implication is a foreign entity trying to getting footage/evidence of the crimes to use as leverage. The film functions therefore as a message to those individuals.
And that message has a few parts to it. For one note that the villains thru this search for the cloaking chip aim to kill every kid in the neighborhood. Meaning the act of trying to get evidence equates to killing the person involved, because anyone in an MK situation would be killed long before any evidence about the crimes went public. That was true back then at least.
Furthermore, in this scenario them trying to get the chip is used to further MK the kid, as he becomes obsessed with proving he’s not delusional. Leading to him picking up his toy gun and turning it to look like a real one as he goes after the people trying to take the chip.
The following is pretty much the stuff from the earlier films repeated, hitting the designated bad guys with flower pots and slipping on marbles. All of it symbolic of becoming the target of people who use comms sending out the people they control to inflict damage.
As they try to get the kid, they find it’s a guerila/gorilla, that has a push mower that cuts up his head.
All of these like flower pots and gorilla’s I’ve covered, these are comms that typically associate with plants and the brainwashed they shepherd. The literal translation is people who coordinate attacks using props like monkey dolls and flower pots. It’s literally how it’s done IRL only instead of like this they pass around polaroid’s and newspaper articles to coordinate, or in recent years social media posts.
And as they do that IRL it translates for a writer to translate it into scenes like this.
Anyway… so this continues.
And at certain point Alex talks to his mother and the excuse he gives for what he is doing is playing “Chinese Checkers” which if you recall from the start of the film, it all began in Hong Kong/North Korea. These ops are globally spanning, and so the ones pulling strings to target people might be represented in that way. Tho I’m less confident of this interpretation than many others in this post.
Akin to someone in China playing Chinese checkers with human beings trying to remove pieces from the board.
Anyway, so as the designated bad guys get destroyed over and over again by Alex, the FBI approaches the family.
Who unlike at all moments with the brother where they shame him, for the first time they act concerned like a family. This possibly being a representation of how to react to investigations, because as you recall, the surveillance tape was removed.
And so returning to the punishment, we get this sequence…
Nude girl cutout in shower, and then “Alice” attacking Doris the rat inside the crotch. So just like with Alex the other parts of the ops are also used against them. Driving the participants in the MK world into viewing any interfering parties as the enemy.
As they try to involve themselves in the ops personally they become the accused. Instantly removing any threat of them exposing anything.
Film ends with talk about “Hoover” just like in the last Home Alone, which presumably is the same vacuuming comm as in cleaning up after the op. The house being repaired which ties into the cleaning up, and for their efforts they make a 6 figure sum.
The designated villains caught the chicken pox from Alex as they go to jail. Note they catch the same sickness Alex had, as in people who interfere with these ops become a target of them. That’s why the last thing in the film before that is Alex getting a new car to drive. Translating to their family’s becoming involved, a warning.
And that’s the film, a little harder to interpret than the last two however looking back at it as a whole I believe rather than the propaganda for ops like the prior films, this one was closer to a warning.
I’ve run out of room. So let’s finish up, and to briefly to return to Culkin, these films began through a name comm of Culkin which turned ritual killing of a child into a zany comedic looney Tunes affair.
Not all his films seem to invoke this use of symbolism, but some clearly do, one in particular The Good Son, I’ll be covering in a future post. A story where Culkin plays a child murderer that was “born evil” or at least that’s what the description says, in reality it’s going to be more MK comms, but I just didn’t have the room to go over it here. Tho I will say the film is all about 2 kids and at the end the mother has to decide which one lives and which ones gets thrown off a literal cliff to die. Obviously Culkin gets the ax.
There’s also this other film I didn’t watch, but given it involves a girl kissing a boy and then having him run an errand for her that ends with him getting stung by death to bees for a “ring” it looks to be a lesson for girls to be the handler to a sacrifice.
In the Good Son it’s clearly the brother that acts as the handler. His father calls him “Co-pilot” and then just tells him to play with the boy which leads to more and more horrific acts.
The comms in this film are more about how a child can “Drive” another child and achieve these kinds of results without breaking the law. I’ll cover that in a future post! Still tho, I mention it here largely because you can see how all of these films give different angles to the same op. It’s a giant instruction booklet for ops spread out over a film catalog being given in years. This doesn’t mean those roles didn’t already exist, it only means that the people tasked with those roles were being given advice and hyping them up for it. It also gives them a “word” as they can use the film itself to convey what it is they are doing to other comms aware people.
Also, that The Good Son is notable in that it’s the last film Culkin made that wasn’t a bomb, making 60 million on a 17 million budget, after that he made 3 movies in a row that failed and then he retired.
I have a theory on what caused this, but I need to dig a bit deeper, I never expected a half-forgotten child star of the 90’s of all subjects to be so dense that I’m forced to focus on it for multiple posts, but here we are.
Wrap-Up
This entire post was about “curses” in one form or another. People being MK’d, people who the MSM label as a target, people being literally murdered to send a message.
Early on in the post I asked why the press turns against who it turns against, and the answer had little to do with guilt or innocence and everything to do with which side was in power. And when the Clintons were in charge those who had been trying to do good found themselves forced to “flip” a term I typically use for clowns turning good, but it goes both ways.
I asked why the press turned against Weinstein suddenly when it protected him for decades and the answer I believe is that despite appearances patriots were behind the levers of power.
I say “despite appearances” because right now there is a lot of nuance to how things are spun, I think this recent Musk tweet sums it up pretty well.
Understand what I mean?
It’s tied to why Trump “lost” the election, and yes he didn’t really lose, but there are big things going on right now that required it to happen the way it did. Read my “The Plan In Motion” section for more on that https://decodingsymbols.wordpress.com/2021/05/30/all-decodes-categorized/ the core point is installing a “bridge that barely stands” but can do what it needs to do.
Mid Terms should be interesting eh?
Looking back at this post, the Willard/Ben decode from early on is by far the most important find this week. If I hadn’t found it so late in my work week I would have made the entire post about it with full decodes of each film, but by the time I found that I had already decoded the Culkin films and made all the images. Unless I wanted to spend an extra few days for my weekly post I knew I had to focus on those to keep my schedule consistent.
I say this because given how little I covered that comm you may not have realized how big a find that is.
It’s big!
It is a precise decode that gives us the exact relationship between what clowns knew ahead of time in the Nixon WH and how they leaked that info through Hollywood to their friends for ops. TWICE! That decode when further fleshed will likely act as a template that I can use to decode countless new pieces of media. You might want to re-read that section as I think it’s as close as I can get to finding a Rosetta Stone.
Telegram Chat
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Symbolism Communication 