- Duel
- Bullitt
- Seinfeld
- Jaws
- The Original “Jaws” from 1916
- Jaws Continued
- Animaniacs
- Buttons
- Another Spielberg Cartoon
- Jimmy Hoffa & Tetris
- Updates News – Maxwell
- Back To Spielberg
Steven Spielberg is the most successful and celebrated director (by the media) of all time.
Given how important comms are sent through films, what might we learn if we focus on the top?
Duel
Let’s begin with the beginning, and in many ways Spielberg as we know him began in the film “Duel”
You may not have ever heard of this, but Spielberg himself asserts it’s what “Gave him his career” so it’s a good place to start.
The origin for the story… was Playboy?
What does it mean for Spielberg’s big break to come by promoting a Playboy story?
I watched the movie, and then I found the Playboy with the original story in it. There’s a sequence comm too.
The first article after Duel is “The Death of Liberalism” complete with a picture of the bloody severed head of JFK (and others).
Sounds like this story is about the death of JFK? Yes… and it doesn’t hide that fact deeply. Officially the story of Duel was said by the author to be inspired by an aggressive tailgater THE DAY JFK WAS KILLED.
Keep in mind the story officially has no element in it whatsoever about JFK or 1963. The JFK inspiration story IS NOT MENTIONED IN THE ORIGINAL 1967 PUBLICATION, but was only discussed in the 2004 DVD Commentary.
So when you combine the sequence comm of the original 1967 story which included a severed bloody JFK head and the fact that afterwards the author asserted the inspiration was some guy following him the day JFK was shot? It paints a clear picture that the story is really about the death of JFK.
The likely reason JFK is mentioned is the same reason a Dead JFK was shown after the original. It was to clue in the audience the symbolism of the story. Obviously anyone going into Duel without the original 1971 Playboy would need such a wink to get that connection.
Note at one point in the story the main character calls the villain “Jack” Which is what many people called John F Kennedy.
So we know the subject matter…. now what? What do the comms reveal about JFK’s death that we don’t already know?
Quite a bit actually, in particular the bits about homosexuality. The bloody JFK head is what came after Duel, but BEFORE DUEL there’s a discussion about death and the psychology of homosexuality.
At first I thought this was a coincidence, but the homosexuality discussion continues after Duel and the other article. And every appearance of homosexuality in the magazine involves talk of death and psychology. So it’s clearly part of the sequence comms.
So to understand why homosexuality comms are being connected to the death of JFK… let’s get into the movie version of Duel as the connection will be clear from the start.
The story opens with the main character listening to the radio where a man is talking about how he feels emasculated by his wife, that he’s not the real head of the family.
That his wife took over his role as the head of the family, and then as the conversation continues it gets more and more desperate and psychologically disturbed.
The radio man talks of how he wears a dress to clean the house and that he is terrified his neighbors will find out about it. Note how the main antagonist to the story which is the flammable Tanker truck appears just as he talks about his fear of people finding out.
This explains just about everything. Why? Well. Take a look. http://jfk.hood.edu/Collection/Weisberg%20Subject%20Index%20Files/S%20Disk/Summers%20Anthony/Item%2002.pdf Note in the 1993 Esquire magazine they talk about Oswald as a possible homosexual despite having a wife, and that his wife teased him about how weak and womanly he was.
The man on the radio is never brought up and I kept expecting it to be played off as a radio prank show, but it’s played seriously. The only effect the radio broadcast has on the story is the main character remembers to call his wife and and they discuss how emasculated she makes him feel.
The main character spends the entire film worrying about being a man, and that his wife belittles him for not being more manly and fighting to protect her honor.
This is surely why the main character’s name is “Mann”
This means the main character symbolizes not specifically Oswald, but instead the “duel” itself with trying to push Oswald into snapping.
Meaning his wife likely was a clown and belittled him for being woman and being sexual inadequate until he snapped.
This is why thru the entire film the flammable truck constantly harasses the main character, and he does at several points.
Snapping at people who he thinks are behind the harassment.
This is especially evident in one of the two additional scenes Spielberg shot after the TV movie was deemed a success. They were shot to pad out the length to make it releasable in theaters.
Neither scene was in the original story, and they are telling about what likely happened with Oswald.
The first of the two involves a school bus driver who pleades with the main character to help them push the school bus. He worries his car may get “stuck” but he does so anyway. Note the boy and girl that jump on the hood of his car.
Now notice the kids tease him for not being able to “do it” and then he goes crazy as he sees the truck driver. The school bus driver demands he gets his hands off the kids.
Reconcile everything we know so far and we now likely know what Lee Harvey Oswald was doing in Mexico just before the assassination.
Meaning they took a disturbed individual and talked him into a cheating on his wife with a younger girl. Given his psychosis with his wife (who was a pharmacologist) he was probably having problems sexually and this may have been pitched as a way to prove he was a man.
They ensure him that it’s safe, but of course it’s all taped and it becomes the insurance to make sure Oswald acts as the trigger man. Officially Oswald was bragging in Mexico about his intention to kill JFK, and so third parties use the blackmail threat to make sure he carries through with his word. This also explains why they had to kill him after he acted with Jack Ruby, because the blackmail thread would unravel everything.
Note the Flammable truck has no problem pushing the school bus. Given what was symbolized that’s a rather disturbing comm, and fits perfectly with what I’ll be going over later, but let’s move on.
The other scene they added involved a snake and spider lady. Note the spider escapes and gets onto Mann’s leg.
There’s one other thing worth going over here, which is the connection between Bullitt and Duel.
Bullitt
At a glance the connection is simply the rigging they both use, as well as both being movies famous for car chases…
But there’s more, and I already had my eyes on Bullitt, because in another Spielberg directed film it was singled out as one of the films the poster parodied.
So let’s dig into Bullitt, because while it has nothing officially to do with Spielberg, there’s something deeply connected here.
Note the poster the gun is held “upside down” Consider the symbolism of that as we go thru the film. I don’t think I need to spell it out. If you can answer that question it’ll demonstrate you don’t always need me to decode each piece.
Just like “Duel” Bullitt is based on a novel, but what’s really interesting here is the book has no car chases in it at all. It also involves a lot of incompetence in protecting someone important….
Why would a movie most famous for a car chase be based on a novel with no car chases? Well, how did JFK die?
In a car! And note the book was released 5 months before the murder.
Meaning this is more JFK comms, the book was one of the comms sent preparing things (hence it being about lack of protection for important figures) and the movie then adds more relevant comms, which naturally would involve a car finale as that’s how the plot ended up working. (They would have tried to kill him anywhere)
This is why the entire story is about a man “fleeing the outfit” and the main character is the one tasked with protecting “John”
And the main character fails to do so, he also purposefully interferes and hides the medical charts of the recently dead. Just as JFK’s medical records were long meddled with.
Do you understand yet the symbolism of his upside-down holster? Define a Bad Cop?
The one who gives him the task is a man who bears an uncanny resemblance to someone..
That’d be the then head of the FBI. Famous for blackmail and in pop culture for cross dressing. (Clinton joked about it https://triviatoday.com/blog/mobile/article.asp?a=F88745 ) Given what we know now about JFK’s murderer, I think it’s likely this cross dressing is a wink about his involvement.
In the film there are 3 major murder plot points. The first one is known at the time as “John Ross” who dies under police protection before testifying at the senate subcommittee.
However as it’s revealed later in the film, this was not the real John Ross, instead the real one shows up later and Bullitt himself murders the real “John Ross”
Before being hunted down it’s notable the real John Ross murders a blond woman with golden shoes to keep her from talking.
This is likely symbolism about what happened to Playboys original Playmate Marilyn Monroe.
I go over the symbolism of that in depth here https://decodingsymbols.wordpress.com/2021/10/18/squid-game-venus-mars-e-t/ but Monroe is how they were going to bring down JFK before a murder became the only option left.
08/04/2017 PEOPLE Explains: All About Marilyn Monroe’s Alleged Affairs with JFK and Brother Bobby Before she died, Monroe was reported that she had been threatening to hold a press conference divulging her relationships with them. https://people.com/politics/marilyn-monroe-affair-john-f-kennedy-robert-f-kennedy/
Meaning they had prepped her to create a scandal, but she died before it hit. This explains perfectly why Playboy would be the one that sends the comms about JFK. Her life story is intertwined with Playboy. The nude shots that made Playboy big on issue 1 were taken just before she became a movie star. (Link above goes into it)
Additionally just before the JFK Proxy is killed there’s a big “Surrender” billboard which he ignores and keeps fighting until Bullitt is “forced” to kill him.
I went over comms in this post about that, https://decodingsymbols.wordpress.com/2021/02/28/history-decoded-sealed-cases-pardoned-turkeys-and-a-penny/ how 3 days before he was killed he gave a strong indication he wasn’t backing down. Meaning the comms make it clear it didn’t have to end the way it did, justifying their actions in their own way as self defense. (JFK = future prosecution in their eyes)
And so the JFK insert died at an “Airport” John_F._Kennedy_International_Airport possible symbolism of his legacy as it changed its name to JFK a month after he died.
The most famous car chase of all time is also worth mentioning, note the “Magic Beetle” that always gets ahead of Bullitt and his target.
I already went over Beatle comms in relation to JFK in several posts, https://decodingsymbols.wordpress.com/2021/03/08/music-decoded/ it was how a number of comms were sent about the death. Symbolism of being “bugged” hence it always behind ahead.
So that’s 2/3 of the big murders that are easy to understand, what about the initial “John Ross?” Well… think about it. In the film John Ross has a brother that has no part in the story except being mentioned in passing and on papers.
The OSS part because he was “fleeing the outfit” and the brother being because JFK’s brother died soon after JFK did.
It’s notable that JFK assigned his brother to go after the mob, specifically Jimmy Hoffa.
I’ll get into Jimmy Hoffa later in the post due to another Spielberg comm, but I want to mention it now as it obviously relates to the blowback they got from dangerous characters.
Anyway, a few last bits to go over. So as I was digging into JFK for this post for the 200th time, I noticed the MGM vault fire March 13, 1967.
Note this was the day before JFK and two of the children he had that died in infancy were moved.
- 03/13/1967 MGM Vault Fire
- 03/14/1967 The body of U.S. President John F. Kennedy was moved, along with the bodies of two of his children who died in infancy, to a permanent burial place at Arlington National Cemetery, 20 feet from the site where he had been laid to rest on November 25, 1963.
This looks like comms of covering up the murder to me. Whether it means destroying footage of the death or covering it up in some other way I can’t say, but this is the kind of thing that happens when they need to send a loud message to other operatives of what to do.
One last thing to mention on Bullitt, the car had been lost in the 1970’s until 2017 when it was found in Mexico.
Note the actor who played in Bullitt, McQueen tried to retrieve his car just before he died in 1977. This may imply he had flipped. Note he died in Mexico which is where the Car was found. That’s a weak connection by itself, but note the car JFK was killed in was also “retired” in 1977 during Carter’s first year.
Together the two JFK 1977 death Car comms go from weak to plausible. For McQueen to try and obtain the car that symbolized the op to murder JFK at the same time they retired the actual car JFK was murdered in… well, it looks like more comms parties were sending each other about handling JFK evidence.
And what’s even more interesting here is the McQueen Bullitt car was found and displayed publicly for the first time in decades during the Trump years! And what’s more it coincides with JFK documents being released! The documents were released over time, so it fits with the car being shown across the country before being put in the national mall for permanent showcase.
I haven’t dug in deeply to the files, but I note that history article in the pic above mentions that in Oswalds trip to Mexico, he bragged he would kill JFK, the CIA knew he had been making threats on the president life but did nothing.
When I mentioned to my friends that this decode included a JFK section, one asked me to include a section on the Seinfeld comms about it. So let’s take a tiny aside from Spielberg for that as well.
Seinfeld
So the JFK episode of Seinfeld involves Baseball Player Keith Hernandez #17 for the NY Mets.
Episode begins with a discussion that involves George confessing that he snuck a peak at his friends naked. He is ashamed of it.
So given the comms we went over on Duel, we know the likely meaning there. As George seems to be symbolizing the Protagonist with the name of “Mann” that is MK’d with humiliation. Keith Hernandez is in this episode presented as a manly man able to seduce women easily. What’s particularly interesting in this episode is Jerry tries to get Keith Hernandez into a relationship, he talks of him as though he were a girl with a crush on a guy. Juxtapose that with George’s inadequacy and it may imply Jerry is helping with the MK by making George feel small in comparison.
This follows thru George’s story as he finds himself physically repulsed at a girl he feels he feels he has to date in order to continue to get Unemployment checks from her mother.
Oswald also had an unemployment aspect of his story all the way until 2 months before JFK was killed, he got the Book Depository job a month before the murder, and while this doesn’t math up 1 to 1 with the episode, when we consider how George’s story ends, there still seems to be a connection.
George’s story ends with him screaming from the window for Keith Hernandez to help him continue to get unemployment checks. He does so by declaring himself as the “Chucker” which is the insult both Jerry and Keith used to insult George’s basketball skills earlier in the show. Consider that in context of the Book Depository job with the window.
His story ends when he meets a giant woman far bigger than he is who gives him his wallet back. This may symbolize the inferiority complex again, but it’s hard to be sure here. In the episode he talks about how his fantasy is to be the smaller person in a relationship and that seems the exact opposite of Oswald, so I may have misinterpreted something, or given his absurd psychosis it may even be contradictory. Oswald seems to have been secretly gay but was always desperate to prove himself as a manly man.
It… reminds me of Mr. Garrison from South Park in the early years. Who… as I recall in the second episode of the show he literally acted out being Lee Harvey Oswald to kill a woman who was better than him. https://southpark.fandom.com/wiki/Book_Depository
It’s a low probability, but I may have stumbled upon the original inspiration for that character. I mean these contradictions were in his character from the first season.
Anyway, another layer of this is Keith Hernandez’s part, note the talk of him wanting Jerry to help him move a “Brownstone” from “Italy” up 3 floors.
Brownstone is a word I’ve heard tied to blackmailing operations, and that also fits the comms for Duel, and further fits the episode.
Also, there’s a whole part with Jerry that doesn’t quite fit the episode, where he talks about kids jumping up and down on a bed.
Note George grabs a kid and it leads to a cop coming after him. This also fits the duel comms… and thinking back to South Park and the Mr. Garrison connection, it fits him as well. https://southpark.fandom.com/wiki/NAMBLA (but then that character has done everything so it’s still a low probability that is inspiration was Oswald)
There’s also a bit about a “Baby” which looks like Lyndon Johnson. Which is who took over after JFK died.
This is juxtaposed with Jerry talking about wishing he’d meet parents who hated their kid and wanted to give the kid up. Which is a perfect definition of MKUltra. Parents who want to get rid of the kid. This too fits Oswald.
Mother rejection is what drove his psychology, and note his young life peppered with psychology treatment. All leading to a wife in the profession (specialized in medications)
Anyway, so the specific JFK section, it turns out it was not Hernandez as the “Spitter” but instead Roger Alan McDowell who Kramer and Newman harassed endlessly before it.
The implication being the real “Spitter” was the CIA that set up the kill thru brainwash.
Next up, let’s go into Jaws. While Duel was Spielberg’s entrance into big film directing, Jaws was his first Mega Hit.
Jaws
There’s a big connection between Duel and Jaws. He used the same dinosaur roar for both Jaws and the truck.
Spielberg says the truck and the shark share a “kinship” as leviathans targeting “everyman”
Let’s go thru the movie from the start….
The movie begins with teenagers drunk by a fire. A woman is playfully chased by a man into the water past a broken fence.
Note he is so inebriated he can’t walk or undress himself. Just as he is passing out on the beach the Shark eats the girl.
Drunkenness is the oldest way to compromise someone’s judgement and I sometimes see it in concert with MK comms. So what am I implying? I’m jumping ahead but later comms in the film make it clear the boy is the killer.
The teeth are noted to be “Shot-glass sized” and notice the scientists posing inside the jaws, as well as the first shark they catch a as “Tiger” which is a word we’ve already extensively gone over as an MK comm. https://decodingsymbols.wordpress.com/2021/11/06/tiger/
Which means the regrowable shark teeth symbolize individual killers that can be deployed. The whole movie therefore is what?
There’s more we will get to that make it even more clear what’s going on here, but before that I want to go over a bit of low probability speculation.
Note the name of the drunk boy in Jaws as Tom Cassidy. He reports the death and is never a suspect as they focus on the shark.
Not long before the novel came out there was an unsolved triple murder of a family with the same name and age as the teenage boy in Jaws. (Tho don’t forget I said it was low probability, I assert it not because I think it’s true but because it’s plausible and if I’m right future decodes could prove it, It’s happened before and so there is a utility to making hypothesis like that)
When we get into the comm being sent by Jaws, this possible connection here will make more sense as symbolism. And to answer the bigger question of what is the point of Jaws?
Consider the 2nd scene.
It fades out on inebriated man and fade in on a family with bleeding son. Blood attracts sharks, so that gives us the point of the story, like many other comms I’ve gone over it’s a warning of sorts to protect the kids by not crossing the wrong people.
The next scene talks about a karate school “karate-ing” picket fences, and if you recall in the first scene it involved a broken down fence.
I believe this is symbolism of entering someone else’s territory. There will be parts later in this post that will support this possibility.
The main character is the police chief and he is told to keep the city open despite the murder. He is told not cause a panic under any cost. Given the goal of the people who create brainwashed psychopaths is most often to cause panic, obviously it’ll continue.
Which leads to the next murder right after, which begins with kids splashing water doing “Karate Chops” on each other in what approximates bullying.
Again, symbolism of MK. And it ties into the earlier mention of kids using Karate to break the protective fences. The same kind we saw at the start of the film with Cassidy chasing a girl into an isolated area.
The boy dying causes a woman to guilt the police chief. Reprimanding him for allowing the beaches to stay open when he knew there was a shark. Effectively demonstrating why these kind of panic inducing attacks work as they rely on personal horror, even though many people die everyday, it’s specific and personal horrors that are magnified to force desired outcomes.
So they examine the Tiger Shark and find it ate a license plate that was thrown out. Recall “Psychic Driving” comms once again in relation to a shark with a license plate.
They determine there is another bigger shark “Jaws” out there, because of course the whole point is the teeth are regrowable, so “Jaws” is likely an embodiment of the entire thing being let loose.
Hooper accompanies the police Chief into going after the shark, and it’s noted that he monitors sharks with a “Closed circuit TV System” – this I believe is comms of MK Monitoring. I’ve gone over how security cameras are used to monitor experiment victims to fine tune the MK.
And they discuss who is at the root of this absurdly expensive thing, and it’s not the “Government” but instead rich families, which is as I’ve said in several posts.
Q also said it when he talked of “No_Stick”
And so note the comparison made with the shark, that the tooth was the size “of a shot glass” so that combines the symbolism of a gun with a drunk. Note Brody “Dropped” the tooth, so it’s still out there.
Little symbolism like Brody losing the “Shot Glass Shark tooth” perfectly explains how you can have a character who if you follow the story seems like they are hunting the bad guy, but on the symbolic level they are part of the mechanism for it. Layers of stories, which is really just like real life.
Think about it, would people involved in MK say they were working with it? Or would they actively and loudly pretend to be trying to catch the killer? Of course they would! And this is represented in films this way. And since they are the target audience for these comms, it makes sense they are represented in the same way.
The surface layer + The unspoken that is only asserted via symbols.
Note how Brody addresses the guy in charge, that they need to have more shark attacks before they’ll do anything about it. Specifically paying an expensive tab.
Note the guy in charge accuses Brody of just wanting to get his name in the National Geographic.
Let’s look back at the moment before it, note they specifically call out the “Jersey beach 1916” which was in fact the inspiration for Jaws.
Let’s decode what happened there.
Jaws Inspiration: 07/01/1916
Specifically the shark attacks began July 1st 1916, which “coincidentally” happened to be the same day as the largest escalation of World War 1. A day with 20k people dead and nearly 40k injured.
How might 4 shark attacks be connected to 60 thousand people dying across the globe?
Woodrow Wilson was president in 1916 during the time of the “Shark Attacks” and he was making speeches about how the U.S. would stay out of war. The U.S. entered the war in 1917, a full year later and so how do you think Germany and Britain felt about that as they lost tens of thousands a day?
Do you think one or both sides had strong opinions on whether the U.S. should get involved in the war? Of course they did! Yet what was the U.S. focused on at the time? SHARK ATTACKS! Get it?
Obviously they would try and influence the U.S.A. to get them involved, and how would they do that?
I believe they began activating sleepers to create murders in order to drum up the public into demanding from Woodrow Wilson entrance into the war. Since he wouldn’t do that, the deaths were blamed on Sharks. The first of which they assured the public there was nothing to worry about.
As they continued it shifted in the other direction. Creating a national panic to kill sharks.
Note how in the official story it involves Woodrow Wilson’s treasury secretary “Coincidentally” staying at the hotel where the victim was. And then right after that the press begins hyping up shark murder.
Everyone laser focused on “sharks” instead of a war that had just hit its maximum tragedy.
The Treasury secretary in particular would be sending comms of funding, trying to prevent the real story from getting out by bribing the press to keep the U.S. out of the war. These are the kind of Q level secrets that have perfectly reasonable explanations as to why they would be kept secret. After all, people wouldn’t understand that killers could be brainwashed into igniting a war in this way.
Tho don’t misunderstand, I’m not defending Wilson. In fact the U.S. not entering the war meant it dragged on for longer with more deaths. Q talked about how the powers that be wanted mass death, and if the U.S. had joined the war earlier it might have made a big dent in the 40 MILLION death count World War 1 has.
It’s interesting to note that just before the attacks there were papers written about how harmless Sharks were.
Which I take it to mean that Sharks were already being used as comms for a future attack by boat/submarine. The papers about how harmless they were then was the rebuttal to those threats. Note where the deaths took place after all, a place accessible by foreign boats,
So they didn’t think it would be a problem, but when it became a problem they had to decide how to deal with the press. Their solution: Create a villain for the country to focus on that has no connection with foreign powers. It’s not the Germans, but those dang sharks! And with the help of the press it worked perfectly. People all over the country sought revenge by buying dynamite and bullets and murdering sharks en masse. (shown above 2 pics up)
Anyway, back to Jaws.
Note the next shark attack is one boy who talks another boy into scaring the crowd. This gets to how how invisible these threats are, especially back then, nobody would know who.
Also note Coca Cola, and while a lot of movies involve Coke, Coca Cola has a big position to reconcile when it comes to MK comms, and while this might be coincidence, the very same day of the shark attacks, Coke began selling the current version of its formula.
Coke originally had Cocaine in it, and Cocaine was the drug that fueled the psychological push of the people into both World War 1 and World War 2. https://decodingsymbols.wordpress.com/2021/09/03/secret-prep-for-world-wars-tut-merck-cig/ Sigmund Freud famously got tons of people hooked on it as a psychiatric treatment, and yea… it pushes a person in the opposite direction of mental stability.
Now all of that could be a coincidence, Coca Cola is in a TON of films after all, but because Coke itself has comms that tie into the practice, it felt relevant to add. the design of the original Coke bottles being a “Hobble skirt” for example. A dress that makes women act as if handicapped.
as in a comm for giving a person a debilitating problem. Consider drug addicts hobbling around.
While I’m on the subject of coke, note the coke Polar Bear originally appearing in 1922 in France. Same year the Polar Bear on the Klondike ice cream bar launched. Odd coincidence?
If you read my other post you know that at the time they were gaslighting Germany thru the World War 1 payments. https://decodingsymbols.wordpress.com/2021/09/03/secret-prep-for-world-wars-tut-merck-cig/ and so sending a comm about the “Klondike Gold Rush” may have been a signal for France to ratchet up the rheteric forcing Germany to pay more and more.
Historically that’s exactly what happened. In 1922, France shifted it’s position allowing itself to take not just the money of Germany but the supplies as well. A “Gold Rush” being ordered through symbolism.
They see the unrest and chaos growing and send comms of “more!” thru advertisements in France. Blackmailed politicians get the message thru the comms and demand an ever expanding penance against Germany to force them to pay for the recently ended World War 1. Official history acknowledges this as the psychological reason people in Germany embraced Hitler and started World War 2.
One Last bit about Coke… so they hired Ridley Scott to make a Coke Polar Bear film, note the plot.
Begins with a son disappointing his father that constantly demeans him. The boy was “following the wrong family for the last hour” which leads to the young child being introduced to a family of “Puffin” birds that teach him how to have a good time.
Define “Puffin” as it relates to illegal substances. Define “Wrong famly” As in these are comms promoting getting kids into drugs.
Jaws Continued
With all of that in mind we understand the psychological games being played both in macro and micro. And back in the film, of course another “shark attack” happens and this time the guy in charge fears for the safety of his kids, so he finally pays off a hunter.
The Hunter named Quinn. Where does he fit into these comms?
Note after some initial antagonism they all become friends, until Quinn reveals that he was secretly involved in the bombing of Hiroshima. He had his tattoo that identified him as a member erased. So he was flying under the radar.
He was one of the only survivors of the delivering the nuclear bomb to Japan. All his allies were eaten by sharks.
So… given what I’ve decoded about nuclear bombs being something the cult fights again, you can imagine who the last victim of the shark is to be.
Yep, Quinn is the last one to die, and the police chief and Hooper then are happy as the tide is finally “with them” – given the point of MK is in some cases to cause mass damage for panic, and in others go after specific targets, this is the other half of the equation.
The sharks going after random people for public terror, and after very specific identified targets (that are in hiding) as desired.
The whole film therefore is a big warning sign not to go against the ones controlling the sharks. That would be why it was promoted the way it was to be a blockbuster. It also makes sense now why Spielberg himself was chosen given his work on Duel to send this message.
Talent + comms + blessing of those with power to be at the level Spielberg is at. If he made crappy movies even promoting it as the media would, it wouldn’t last. They want comms most of all, but for those comms to be entertaining and become pop culture legends, that’s the next level.
Another Spielberg movie I won’t be going over in depth is Jurassic Park, but to briefly give my take on the likely meaning… historically speaking it is notable for ushering in the new generation of Special Effects using computers.
The famous line from the in Jurassic Park which asserts it would make paleontologist jobs extinct was something literally said by the Claymation modeler as he lost his job out to CG in the film.
The point of the film was likely the same, a movie made to herald in a new generation of special effects. The movie began by using Stop Motion to make that point. They knew the CG Revolution was coming and so a movie like this punctuates it. There’s additional layers to it given how many hoaxes special effects can create. The very idea of dinosaurs being one of them… https://decodingsymbols.wordpress.com/2021/03/25/science-and-history/ The film sells them as real far more effectively than stop motion ever could.
The disinfo levels up.
Ok, we’ve gone over big budget adult films, but Spielberg is also deeply connected to children’s media. Animaniacs in particular is noted for his involvement.
Ani Maniacs
When it comes to comms aimed at kids, one of the most common I’ve seen and covered are comms acting as recruitment devices.
And that’s the case here, note the very opening of the show. “Pay for Play” contracts. Note also that the two dogs didn’t get a contract as that’ll be relevant later.
In a prior post I decoded another kids show as setting up them to harass store owners https://decodingsymbols.wordpress.com/2021/07/13/terraforming-mars-by-nuke/ and one of the first skits in Animaniacs involves exactly that.
The store owner refuses to help the catholic church with toy donations, so a holy light signals the Warner Brothers to go in and be pests. They then drive him insane in various ways. That’s the story.
There are many variants on jobs offered, and for them a host of “animals” which is why they have an entire song in first few episodes about being all sorts of differnt animals. All of which I’ve covered in other posts.
So I said before which animals didn’t get contracts, well, one of them is “Buttons” which according to the soundtrack is always “Chasing Mindy”
So what does the name “Buttons” symbolize?
Buttons
So let’s go over the first appearance of Buttons and Mindy and it’ll become obvious quickly.
The basic premise of all Buttons and Mindy episodes is that Mindy puts herself in danger and Buttons chases after her. Buttons always gets in trouble and hurt throughout these endeavors, especially at the end. Note this little short that begins the first appearance of the two.
First Mindy beacons for “Buttons” to come. Buttons looks surprised but then happily comes, only to find that Mindy lured him into a trap and he falls a height that would kill any dog. Mindy laughs at the dog in pain at the end.
Do you get it yet? Let’s be crystal clear because as we go thru the episode it’ll get extremely obvious what is going on here.
Buttons = Keyboard. This is about things being done online.
The first episode is called “Operation Lollipop”
Note the hypnosis design on the Lollipop. Define “Loli”
Before I continue let’s back up to the beginning of the episode itself. Note how the animaniacs pretend to be dolphin. Dolphin = Clicking comms. As in computer users, and the brothers celebrate their child sister for being a “Dish” to taste.
So yea, this is about trying to ensnare others into embarrassing things online so as to use it against them.
The first thing that happens is Mindy gets stuck on the Mail truck.
Note how the traffic light is on “Go” and Buttons reaches for the girl’s butt, and then the traffic like switches to “Stop” and the dog slams into the “Mail” with the child in it. Define Computer mail.
Then Mindy rides the plane all the way back to her house where the mail covers the yard, and the mother figure scolds the dog over and over to his shame.
It’s all very blunt. The little girl calling the dog to come over asserting the introduction. “Hypnosis” by a “Loli”pop being how they symbolize an addiction to children. The dog “Buttons” like a computer responds by trying to grab the girls butt. And the end result of being scolded by a parental figure due to “Mail”.
Consider that the internet had just went public, naturally they needed instructions on how to use it more widescale.
- 04/22/1993 Internet Goes Public with first Browser
- 09/13/1993 Animaniacs first aired.
Tho don’t misunderstand, the internet existed long before it went “public” and people used it from 1977 and porn was traded en masse with tens of thousands of people via Usenets (which made for the foundation of porn when it transitioned to the larger public sphere)
1993 is important because it was the transition from thousands to MILLIONS online- and that’s why wide scale pop culture comms would be effective. Small Scale -> Large Scale experiments. Also check out my Finders decode for more of how the origins of the internet intertwined with pedophilia. https://decodingsymbols.wordpress.com/2021/04/22/offshore-cell-prototyping-the-finders/
Correction: the first appearance of Buttons and Mindy is not in Operation Lollipop in episode 6, but instead the first episode. They appear alongside all the other characters being introduced in the musical, but it falls in line with what I’ve decoded.
It’s worth mentioning the first segment is entirely about psychiatry, and this is followed by the first song involving a song about how the Warner Brothers will do literally anything including putting “Bugs in underpants” – as well as scenes of all 3 warner kids kissing men and women.
Then in the next song we get to Buttons and Mindy. Reconcile Buttons being under the bed with the old adage “Monster under the bed” symbolism. He is discovered and panics which is the end of his first story. So yea, same kind of comms here.
Also on that bit above by Wacko where he puts “Bugs in the underpants” Consider that Wacko Warner was given the voice the Beatles Ringo Star. A comm of surveillance by bug of someone’s sexual life.
I know these kind of comms are hard to visualize, so let me run you thru what I think it would equate to.
In practice this would likely take the form of a kid tasked with monitoring another kid wearing a hat with Wacko on it with one of his catch phrases like “Look, It’s a butt!” as that would be the signifier to others that this person is involved in these types of ops. They would then approach and inquire about the hat, and one comms conversation later they’d have an agreement to coordinate on MK’ing the target kid. The “Beatle” would be the one tasked with being the “Friend” to the abused victim (monitoring) and the ones approaching would take the role of bullies around the same age.
All coordinated, and you can replace “Bullies around the same age” with any other type of person. Like teachers at the school or next door neighbors. Many other’s in the nearby vicinity might want to get in on it. In my King of the Hill decode it goes over more of the specifics. https://decodingsymbols.wordpress.com/2021/10/06/cosby-jell-o-office-king-of-the-hill/
So why on earth would anyone abuse a victim? Well, consider the most famous shorts on Animaniacs is Pinky and the Brain. Note how in the intro they have a giant magnet that attracts Saturn.
The first episode involves Brain going on Jeopardy to win enough money to build a machine to magnetize the loose change in everyone’s pockets.
These are comms of getting the money thrown away daily by mega corporations, one of which is gameshows. So the reason for doing the ops is “rewards” like this, just replace Jeopardy with some kid variant on Nickelodeon or a scholarship or a trip to space camp… a million different things. Course the end goal isn’t rewards like that but big money and jobs, it’s simply the kind of rewards they can get in the interim before they are adults. Making a name for themselves early.
How? Note the “Specs” on the diagram, which show Pinky. Reconcile with the famous song. “One is a genius, the other’s insane” experimented lab rats. As in by making an insane person you get rewards.
However making a psychopath is just one of the avenues for getting rewards.
The other largest avenue I constantly see comms for involves kids and sex. This is why there’s an early episode of Animaniacs where the Michelangelo, on orders of the Pope hires the kids to draw naked people on the Sistine chapel for the Pope.
Note They draw the scene from E.T. and the Pope turns out to be Steven Spielberg who loves it.
I already decoded E.T. as perversion with kids comms. https://decodingsymbols.wordpress.com/2021/10/18/squid-game-venus-mars-e-t/
And so when we go to the other comms, we see much the same. Like when they get probed by aliens.
A story called “Space Probed” where they get abducted while sleeping. Note the bunny slippers floating beside them.
The Girl imagines wealth and then the aliens see something they find sexy. The oldest boy gives the space toe a manicure, and gets a wish in return, which is for an attractive girl he chases. Also note the box the girl has with a horned hell demon inside it kissing the alien.
That demon pet the girl has changes into different monsters in other episodes. Like here, and the little sister presents herself alongside swimsuit models models. Note the color of the skirt in relation to the pez offered (in the shape of the doctor’s head). Then she learns the doctor’s rich she starts kissing him.
Note the “Scary Part” which comes after, which is the giant eyeball monster the little sister keeps in her box. Likely comms of blackmail ops with bait.
The Space Probed episode ends as they find the space “toe” that gave them a wish inside their beds.
Reconcile with comms about sedated children being used for blackmail ops. They were actually in their bed all the time, but due to letting an adult sized toe sleep in their beds they get a “Wish” Money/Prizes etc.
When it comes to kids boys and girls seem to work for these ops. The episode with Einstein in it is blunt with the comms. Note the “Unexplained mysteries of Fudge” being sold by the kids, which is sold just before the boys show Einstein the secret of nuclear power. Meaning these things are equivalent to one another.
It fits my decodes before perfectly. which if you haven’t read I strongly suggest you do so. https://decodingsymbols.wordpress.com/2021/09/08/nuclear-q/ Nuclear Bombs are just another symbolism comm.
Also, when they first meet Einstein it’s as “KidScout” kids a play of course on boy/girl scout but there’s an extra layer to this.
The entire purpose of shows like this is to support the clown world. Scouting out kids suitable to join is an important one. Just like there were many jobs symbolized with the animals, there were many jobs being offered.
This ties into the funding, which is something multiple episodes go into, specifically citing being funded for “80 Zillion” dollars in one episode by Warner Brothers itself.
To another episode which asserts the real funding comes from foreign investors in Japan.
The number given in that one is half a billion dollars, but I don’t think the actual numbers matter, it’s just a comically big number to entice would be recruits into the ops presented. Telling them that the potential for riches and fame is there. (hence why it’s all presented in context of Hollywood parties)
When asked what keeps Warner Brothers afloat? They assert it is Mel Gibson films – and they finance that with foreign investments from Japan Lethal Weapon being the most famous and most recent picture to Animaniacs. And it’s a film of a suicidal cop taking on dangerous operations.
I haven’t seen that film, but at a glance at the plot summary it looks like more MK comms. Which as an answer on how they fund the Ani “maniacs” makes perfect sense. The point is to create psychotic tools for ops after all.
And there are plenty of MK comms in Animaniacs, like when they do a skit about school.
The name of the episode is Chalkboard Bungle, as a parody of “Blackboard Jungle”
Which is famously about interracial student violence. Combine that with the title “Bungle” and it means intentionally teaching someone badly.
So they get assigned a comically overbearing strict teacher that is extreme in cruelty. After many failing attempts at teaching she gives them all F’s which makes Wacko Explode. They then show at the end that the teacher ends up being the Warner Brothers in disguise.
The joke is that they switched places, but the message in comms is it’s instructing a cooperation for MK ops. Teachers are involved and so are certain students. So it’s all the same op trying to break a few key mentally disturbed students. Watching a skit like this helps prepare the kids involved. Not entirely prepared mind you, it wouldn’t be the “backbone” by any measure, you could remove the show entirely and the ops would still go on, but contrast between with the show and without.
With the show It promotes the practice of the ops as a good career path, it gives ideas for those involved in it to follow, it gives ways for people involved to find one another, and many other things. The propaganda alone to a child would make them enthused to engage in the ops. They are effectively their own favorite superhero. Imagine you as a child pretending to be batman, now imagine if you were communicated by batman directly in the show, in a way nobody else could hear, and were instructed on how to become his sidekick!
Do you get the power of shows like this? It may not look like much to you, but to a child that is comms aware, I’m sure you can begin to imagine it now.
So returning to the episode where the Animaniacs paint the Sistine Chapel, note the paintings. A bull fight, followed by dogs playing poker, followed by Margaret Keane big eyed crying kids, and then Fat Elvis singing.
Margaret Keane = MK initials. + Big Eyed kids + Crying + Comms of finding MK suitable children . Now reconcile the sequence. Bullfighting -> dogs playing poker?
Well actually it’s not “Dogs playing poker” it’s “A friend in need” which is officially about CHEATING bulldogs. So, bullfighting and handing someone a “Bulldog” card.
As in giving someone a needed “bull” or MK. When they need to shut someone up and make an example of them.
Bullfighting (Conflict) -> Giving Bulldog to a Poker player for cheating (action to take for Bullfight) -> Big Eyed MK kids Crying (Abused kids = Bulldog given) -> Fat Elvis Singing (Death of person who “Sings”) See my Elvis decodes on how that sequence makes sense.
Also, another Spielberg connected project I looked into “Family Dog” which is even more blunt as it involves a dog who at the snap of the fingers can be turned into an attack dog at the master’s whim.
When they turned it into a show (originally just 1 episode) they have the dog literally being tortured by the family’s negligence. The dog spends the entire episode dying of thirst and in constantly humiliating situations.
The mother character guilt trips as the dog is cooked in the spin dryer.
Meaning that’s how kids are treated, a guide on how to subtly play the victim card to constantly make the child feel bad. This is also tied into the other parts of the episode, they constantly demean and torture the “Dog” into a contest they have no hope of winning, and will obviously embarrass themselves.
By guilt tripping the kid “Spin dryer on hot” into thinking they are constantly abusing their parents, it sets them up to want to appease the mother by participating in the desired public spectacle. Which is then used to embarrass them more as they fail, it’s a guide on traumatizing a kid, more blunt than usual.
Anyway…. returning to the Dogs playing poker, here’s another piece of art by them.
Another Spielberg Cartoon
2 years after Animanics (09/09/1995) Spielberg would make another show with a superhero powered by the internet.
So these are connected to the Buttons comms above, but instead of being one job offer in a sea of many it’s the entire focus of the show. Given the prominence in the mid 90’s of the internet growing, it makes sense for a focused internet one. Note the very first scene involves the main character as a man thinking about his retirement and it switches to a bomb.
Frekazoid gets his powers from pressing the “Delete” key after a long string of code. A “code” that works by deleting the code after it’s been sent. As in making sure to clean ones tracks.
Note the focus on psychology and Sigmund Freud. Which as I’ve covered in past posts his obsession with pushing cocaine on patients and incest promotion is what makes him a shorthand for screwing up the minds of targets. Freud = Fraud.
Also in the first episode there’s an entire plot about his sidekick as his “hand” because obviously typing. “Buttons”
There’s also a side plot in the first episode about someone turning “Beavers” into “Gold” with a “Watch” – note the announcer being pulled by Freakzoid’s strings afterwards.
Beaver = slang for vagina. So how does that fit in?
First episode begins with the protagonist and secret “Freakazoid” online Dexter being blown off by women for being a loser. He returns as Freakazoid later and acts as a troll towards them. At one point asking a girl if he should sign up for liposuction.
So the point in beginning the episode with mean girls who get trolled, seems to be in scouting suitable targets to push into bad behavior online. This was 1995, the internet would become known for porn and so in the early days they likely had people online trying to herd them into it.
Now recall the Beaver + Watch = Gold Beaver Comms in the show. Comms of the Internet + High school girls + “Beavers” + time = Gold. As in manipulating girls into showing their beavers online. Something that remains to this day a common daily practice on 4chan. Getting people online to ask for that was the mandate online from long ago.
Anyway.. it’s not all about sex. The most well-remembered aspect of the show is a character named Candle Jack https://knowyourmeme.com/memes/candlejack which is the focus of the 2nd episode. A villain who kidnaps kids who says his name.
Note instead of rescuing the kids Freakazoid goes to the “Honey Harvest Festival in Acton” This is a recurring joke in the show where he does something arbitrary with a friend instead of saving the day. Of course it’s a comm, and in this case reconcile it with my decodes of Killer Hornets. As in this is another MK comm, because obviously people who are targets of MK go online like everyone else and so part of the ops outlined involves setting up the methodology for it.
This is why in this episode we see it’s all just a “movie” with people playing the parts. And the way Freakazoid captures Candlejack is by making a pumpkin pie to lure Candlejack into a trap. Then a celebration ensues…. with German’s slapping each other over and over again?
Pie = Coded instructions. (check prior posts) Pumpkin Pie = Scare ops. Meaning “making a pie” is akin to laying out directions, and so what’s really being said to clowns watching is how to recruit online operatives to begin surveilling/harassing a target.
That’s why after Candlejack gets the Pumpkin Pi suddenly Germans begin slapping each other. Comms of bullying. This also explains why it’s a persistent meme, as it still functions as a “Word” for targeting, and so in certain contexts it can pull in operatives online into ops.
So to briefly return to Animaniacs, if you recall there was a bulldog’s cheating at poker pic paired with fat Elvis comms…
And in the episode Space Probed they show Fat Elvis on the ship with Bigfoot, Amelia Earhart and Jimmy Hoffa.
Based on my past decodes Bigfoot symbolizes a killer and the Earhart and Elvis were both murdered. Elvis for what he knew, and Amelia as bait.
But what about Jimmy Hoffa?
I’ve had posts digging into Elvis, Earhart, and Bigfoot comms, but not Jimmy Hoffa, so I decided to do that this week.
Jimmy Hoffa?
The most famous thing about Jimmy Hoffa in pop culture stems from a playboy interview where a mobster claims he was buried using cement in pieces under a the foundation of the built baseball stadium.
So the comms tie into building a baseball stadium? It goes over quite a few things actually, including Giuliani which I’ll likely dig into in a future post…. but let’s not get distracted.
The article that leads into this Jimmy Hoffa Article is about a master RUSSIAN chess player who likens chess to violence and death.
When I looked into my timeline in relation to these Russian comms something jumped out at me, because one of the most popular games ever made, that just happens to be synonymous with Russia was released this same month. It’s also a game synonymous with building construction!
I’m talking about Tetris. The only game anyone has ever associated with Russia that I know of.
Now what the heck is there to decode about Tetris?
Well, are you aware the famous Russian song played in the game is about a girl seducing a man, and then taking a ring?
But this rabbit hole is surprising, it’s connected to the family of Ghislaine Maxwell.
Note the name of Tetris is meant to symbolize Tennis.
The developer was noted to love spy films like James Bond, but that part is probably coincidental. I mention it only because Playboy is where James Bond was published. So it struck me as odd, but probably nothing.
The original name was “Genetic Engineering” which.. while probably also coincidental, it did remind me of something Epstein was noted for pursuing.
Anyway, so Ghislaine Maxwell’s family got the rights to Tetris while working with Atari.
All of this came to a head with a legal battle in the U.S. where Nintendo managed to secure the rights to Tetris in late 1989, and before anything could be done to reverse it in the Soviet Union, the U.S.S.R. fell in 1991.
What does this all have to do with Jimmy Hoffa? Well, Jimmy Hoffa died in 1975, it was 1989 when they are sending comms about Jimmy Hoffa being buried in relation to Russia thru Playboy.
In that context it sounds like a threat to expose things. Ratcheting up the pressure on the U.S.S.R. It was in effect a tiny battle being fought in the larger war as the U.S.S.R. was changing. Note the imagery of the building collapsing in the Tetris ad… we can get far more specific on the meaning.
- 11/09/1989 Fall of the Russian Built Berlin Wall
- 11/1989 Tetris Released – A Russian game where you destroy walls you built.
In this context all the bits about Jimmy Hoffa being buried under the stadium was likely implying that “if you do this” Russian bodies will be exposed. The legal win for Tetris ownership representing the larger change of control over territories.
Meaning that Tetris was part of Russia communicating about the possibility of tearing down the Berlin Wall. Tetris can be a comm for building or destructing as you build to destroy. However as you saw in the Russian commercial the comm ended on destruction, just as the wall was torn down!
Ok, this post is packed so let’s move on to the updates.
News Decoded/Updates: Stallone, Maxwell, Sandwich
I was tipped off to Stallone wearing a Q hat from a Bond movie. Note “Julian” auction and the book being shown “EVERY LAST SECRET” next to a striped shirt, and the following tweet made the same day (so sequence comms) involved JULIAN (ASSANGE) Auction + JUDGE DREDD
So these look to be comms of exposing something big thru Assange’s case. the Q hat not likely referring to “Q” as the op we know of patriots, but the more Q Clearance secrecy. An awareness of what’s going on.
Note the post he made before the Julian Set is about SHARKS.
Shark = “what an unexpected guest right?” https://www.instagram.com/p/CW3PZIcJI2G/
Comms of sharks as I decoded them above are clowns trying to stop things from progressing with threats and occasional successes in murder.
So what kind of threats are there? Consider the Maxwell case, and how they killed Epstein.
Maxwell likely had the #1 account on Reddit for much of its existince, and that gets to the heart of most everything covered in this post. Certain people having nothing to do with their talents getting preferential treatment because of their connections. In this way the world broken up into the elites and masses. All hidden as from a distance it seems like they are just better at things than the rest of us.
I often say that they still need to be talented to get it to work, and while this is true, the benefit they get from the algo’s is a boon of exponential growth. No talented person saying the logically right thing can penetrate a wall of algo supported propaganda of the chosen narrative. Chosen narrative by who? Given Maxwell was the #1 Reddit account, it seems she was one of the big deciders of what the narrative would be, and who would be promoted above who.
Note also the last post by Maxwell being about someone mysteriously sending a billion dollars in bitcoin. This was 2 days before Maxwell was arrested. 07/02/2020.
Now what does it mean for a billion dollars being promoted as Maxwell’s last act on reddit?
Consider the kinds of things purchased by Bitcoin. The untraceable money, launched the same week Obama got into office.
01/09/2009 Bitcoin BTC2 XBT ₿ Satoshi Nakamotont 1 SHA-256d34 C5 PoW46 The first and most widely used decentralized ledger currency with the highest market capitalization begins.
Now consider the people most associated with crypto currency. Like John McAfee. Note the posts he made the time Maxwell was arrested.
Consider posts like this one on 9/11. About a kid shooting.
Threats of activating sleepers? One post I often refer to regarding Maxwell is how her secret boyfriend Scott Borgerson is involved in technology designed to penetrate shell companies on the sea. This is important in context of McAfee and MKUltra for several reasons.
Most notably it helps explain the global changes going on right now, why the Suez Canal was locked off from traffic for so long, as along with all other plane routes being stopped due to Covid, it’s how terrorirsts were being moved around.
Reconcile with this McAfee post.
Talking about having many “Shells” that cover him. With the bitcoin + Shell comms in mind, Maxwell and McAfee appear to be two sides of the same coin. Blackmail/MK ops.
Maxwell clearly had hidden crypto, and it seems to have been moved just before she was arrested. (why else would her last post be about a billion in Crypto being moved)
And just like Maxwell McAfee also had blackmail, or so he claimed.
Note the “Clone Army” + The Moon. Comms of being able to promote narratives, effectively anyone that doesn’t promote clown ops being the first to be exposed as both sides have blackmail for the same people. This is why the narratives we see daily are still super leftist, it’s how all the flips are protected from being singled out.
Full Circle
I want to go full circle here and bring it back to Spielberg’s comms. Animaniacs was remade, the first episode begins with a return to the Warner Water Tower as a quest to eat Wacko’s old sandwich..
If you have been following my posts every week you know I’ve been working to decode Sandwich comms for a while now.
For example not long before Elvis died he ate a bizarre sandwich.
To solve this I looked thru my timeline of comms and one clear pattern stood out. Note China’s 2nd and 1st In command taking Posts around the same timeframe as The Pope stepped down and was replaced. That’s too specific to be coincidental.
- 02/18/2013 Jiang Yi huah – China’s 2nd in command installed
- 02/25/2013 Hamilton Beach Breakfast Sandwich Maker top video on tiny channel hits
- 02/28/2013 Resignation of Pope Benedict
- 03/13/2013 Pope Francis Installed
- 03/13/2013 REVIEWED: The breakfast sandwich maker https://nypost.com/2013/03/13/reviewed-the-breakfast-sandwich-maker-you-dont-need-but-might-want-for-kicks/
- 03/14/2013 Xi Jingping China Leader Assumed President’s role
And then there’s the Sandwich maker which in promotions fall in that same timeframe. The Sandwich maker at a glance seems to be arbitrary but note how small the channel is and how big the view numbers for that one video are. This is a sign that someone was promoting a message. Not the most important message as they could have pumped it much higher, but something just important enough that Youtube decided to pump it to that degree. And when you reconcile with the big news of the day the meaning becomes clear.
Sandwich = Job. China + Pope are both places that dole out ops as I’ve gone thru in many posts, and it seems the same entity above was restructuring the two. The end result is a “Sandwich maker”
Note It’s not just any Sandwich maker, but a “Hamilton Beach” one That’s a Ham Radio comm (typical way communications themselves are referred) + Money comm (Hamilton = 10$ + Banking comm)
So that’s comms of China back in early 2013 making a new push producing “jobs” for operatives, NY Post was likely relaying the news this is why the post isn’t propaganda in nature. Note the wording “You don’t need, but may want” implying tolerance but not enthusiasm. Which is to say the strings above NY Post were not the same as those in the Vatican + China, but the two were not at war either.
And while I didn’t mention it thru this post there were Sandwich comms sprinkled throughout Duel and Bullitt.
Duel begins with a fade-in specifically highlighting a sandwich billboard, and leads to a scene where the main character has his first mental breakdown after ordering a cheese sandwich at the diner. In Bullitt, there’s a crucial scene where the first “John Ross” unlocks the door to let murderers in while eating a sandwich.
In both cases it can be inferred now that these are jobs being undertaken. The type of sandwich defining the type of job. Which brings us back to Animaniacs reboot.
An “Old Sandwich” being returned to. As in returning to an old job. This was all first aired November 2020.
Given the original symbolism this is likely implying people involved in those ops were being captured. Consider that in relation to sealed cases which during the time Animaniacs reboot was being written and animated were at their peak output.
They gain “All human knowledge” after drinking a glass of water with a tablet in it.
And so in the remake’s first episode they sing a song about everything that’s happened, note being tracked, living underground out of fear of “Polar Bear Masters” reconcile as I described earlier in the post, as to why ops are forced to walk a thin line in accordance with the official narrative. Lest they become targets of crypto bought 187’s.
And so instead of “pay for play” contracts of the original, we have contracts written with the grim reaper. Still funded.
Note the lyrics of the song about catching a criminal in relation to Twin Peaks and the body disposal scene in Fargo.
It seems these comms are promoting new ops involving tracking and controlling sleeper cells. I’ve gone thru quite a few comms like that in posts, as it seems to be an incredibly difficult task with the sheer quantities of them and inability to do much directly.
Also worth noting is the first Pinky and The Brain in the remake, which has a candid mentions of Pinky going insane and needing to be shot, as well as the abusive relationship they have.
In the remake their goal is to conquer social media with cute animal posts, so just like Jeopardy there is an element of motivation for taking part of ops. Helping with ops = getting algo pumps on social media.
That may seem irrelevant given the point about sealed cases, but no, just like when I went over John Kerry’s comms as the Energy Czar, https://decodingsymbols.wordpress.com/2021/08/19/afghanistan-tax-funded-child-abuse/ the way Sealed cases are discussed with clowns is one of “Insurance” as many don’t know if they have a sealed case, and so they are urged to take a precaution by cooperating with patriots rather than risk finding out they have a day in court next week. This is why motivation is still necessary, because only some of them have sealed cases.
The fact that they don’t know if they are on the list to go to jail is part of why it’s so effective. Only Jeff Sessions, Matthew Whitaker, and Bill Barr could possibly know the bulk of the 250K sealed cases. And every one of those cases could domino into a thousand more when brought to court.
Do people choose the risk of being a domino or not? That choice between potentially jail time from the DOJ versus cooperating and becoming a target of a 187 by the other side has dominated the last 5 years as the hidden war.
This is why the MK ops being being dismantled is so focused on in so many of the new comms I go thru, it’s also why MK ops being promoted is the focus of so many old comms. It was the invisible threat that kept the world in darkness. And now it’s being deconstructed WW, it’s taking a lot of time, but that’s just how it has to be!
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Symbolism Communication 